The Belvedere museum in Vienna has collaborated with investment fund artèQ to launch a nonfungible token (NFT) drop inspired by one of Austrian painter Gustav Klimt’s most famous works, “The Kiss.”
Released on Valentine’s Day, a digital copy of the early 20th-century depiction of a pair of lovers was divided into a 100-by-100 grid of 10,000 individual pieces offered as NFTs.
The cost of one NFT is 1,850 euros ($2,100), as stated on the collection’s website, which was equivalent to 0.65 Ether (ETH) on Monday, suggesting that the total nominal value of the NFT painting was 18.5 million euros ($21 million). However, at the time of publication, only 33.3 ETH, or $103,900, had been received and more than 80% of the collection remained unsold.
The relatively low purchase rate of the Belvedere’s “digital declaration of love” NFT collection could suggest that each piece was priced too high or that NFT purchasers are less interested in traditional art at this point in the evolution of the market.
The painting has been housed at the Belvedere since 1908 when it was purchased for 25,000 crowns, equivalent to $240,000 today.
The issued NFT certificates reveal the digital part of the painting purchased, and if gifted to a loved one, an individual dedication was included.
Happy Valentine's Day #NFTCommunity!— artèQ (@arteQio) February 14, 2022
Today is the BIG day for the lucky "The Kiss" #NFTs holders from all over the world!
Drop day! @arteQio & @belvederemuseum
Still looking for a last-minute Valentine's gift?
Visithttps://t.co/SjEFUSdKN4 and mint your #NFT!
Ahead of the drop, Wolfgang Bergmann, managing director of the Belvedere, said in a statement:
“The very small number of shares for the world market and the fact that each piece is unique is what makes these tokens so valuable.”
Nanne Dekking, founder and CEO of Artory Inc. — a blockchain-secured registry of artworks and collectibles — spoke to Cointelegraph and echoed the sentiment. He said that initiatives like this “allow us to rethink art patronage entirely,” which, he added, “empowers museums to engage with the interests of their larger community, rather than being restricted to a small number of donors.”
Indeed, physical artwork tokenization is just one way that museums can interact with their existing community and tap into new ones. The State Hermitage Museum in Russia recently went beyond digital reproductions and launched an entirely digital exhibition within a metaverse-style reconstruction of the museum.
Dekking added that the tokenization of art “ultimately enables the art market to reach a wider community of art lovers” while also potentially providing royalty payments to the museum.